MERRY CHRISTMAS

Merry Christmas, Everyone!

(LUKE 2:1)
And it came to pass in those days, that there went out a decree from Caesar Augustus that all the world should be taxed. (And this taxing was first made when Cyrenius was governor of Syria.) And all went to be taxed, every one into his own city. And Joseph also went up from Galilee, out of the city of Nazareth, into Judaea, unto the city of David,Bethlehem; (because he was of the house and lineage of David:) To be taxed with Mary his espoused wife, being great with child. And so it was, that, while they were there, the days were accomplished that she should be delivered. And she brought forth her firstborn son, and wrapped him in swaddling clothes, and laid him in a manger; because there was no room for them in the inn.
And there were in the same country shepherds abiding in the field, keeping watch over their flock by night. And, lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them: and they were sore afraid.
And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord. And this shall be a sign unto you; Ye shall find the babe wrapped in swaddling clothes, lying in a manger.

And suddenly there was with the angel a multitude of the heavenly host praising God, and saying, Glory to God in the highest, and on earth peace, good will toward men.

And it came to pass, as the angels were gone away from them into heaven, the shepherds said one to another, Let us now go even unto Bethlehem, and see this thing which is come to pass, which the Lord hath made known unto us.

And they came with haste, and found Mary, and Joseph, and the babe lying in a manger.

And when they had seen it, they made known abroad the saying which was told them concerning this child.

And all they that heard it wondered at those things which were told them by the shepherds. But Mary kept all these things, and pondered them in her heart. And the shepherds returned, glorifying and praising God for all the things that they had heard and seen, as it was told unto them.

—————

I encourage you all to be like the shepherds, who go to “see this thing which is come to pass” rather than the people who only heard and wondered.

sf stories

This was obviously Cross-Posted on Blogcritics. But I didn’t want my own blog to miss out
***

Blogcritics is a beautiful thing. And I don’t care if it’s self-promotion, it deserves to be said. It’s a wonderful thing to have a collection of interesting people giving their own opinions and publishing them in a place that others can get to.

It’s hard to find fresh and unfettered points of view sometimes.

Except on the internet! The internet is full of that sort of thing.

If you know where to look.

I know we are supposed to point to Amazon.com when we recommend a book. It’s kind of cheating, but I want to recommend a book.

San Francisco Stories by Derek Powazek is a really good collection of stories. Derek caught the mood of foggy, laid-back, soul-searching San Francisco.

If you love the City by the Bay, or even just the idea of it, get the book!

I know you San Francisco-philes would love the feeling of getting an off-the-beaten-track book as well.

Derek started this thing as a website, sfstories.com. I don’t remember how I stumbled upon it, but it touched me and I kept coming back.

I don’t live in the bay area anymore, but I went back there recently and found out he’d made a book.

GO, web-boy, GO!

So check it out. It’s worth a look.

the culture of tolkien

Readers, I am so excited about The Lord of The Rings movie coming out!

I was talking to a friend at work, and I mentioned some of the background mythology for this story. He wanted more information about it. Well, I started to write an email, and I couldn’t stop. It’s more of a blog post. Here you are:

Beowulf is one of the oldest books in ancient English (Anglo Saxon) still around. Originally, literacy in the British Isles was concentrated in Latin, since Latin was the language of their ruling elite, the Romans.

Although the Brits had their own language and writing (known as runes), they mostly relayed their cultural stories through word of mouth (oral tradition). Beowulf is only one of these stories, and it is highly treasured because it is one of the very few peeks we have into the culture of the Anglo-Saxons (MY people-transparently white child that I am).

I know of two main reasons why more stories didn’t survive:
one, the advent of Christianity created an unfavorable environment for stories about pagan deities. The British Isles, and especially Ireland, really embraced Christianity when it arrived. Some of the stories were christianized, and deities and legendary heroes got cleaned up into “saints.”

Beowulf has some christianizing in it too.

But the second reason is because of the Norman invasion.In the 11th century, I think, the French came in and enslaved (enserfed?) all the Anglo-Saxons. The Roman empire had long been dead, although Latin was still the Lingua Franca. But Anglo-Saxon writing and speech was what ordinary people used to communicate. When the French took over, they insisted that everyone speak French. Servants only spoke English to each other. And naturally, they had limited time to chew the fat. The complicated grammatical structure of Anglo-Saxon got mushed into a quicker, less nuanced speech. Anglo-Saxon wasn’t really taught; if a person went to be educated, they learned Latin or French. The Anglo-Saxon words that survive in English today are servants words. Swine for a live pig, but the Norman Pork for the meat (the only part that the Lord of the manor would see). Interestingly, all the cuss words survive.

Some of that Norman/Anglo-Saxon antagonism is played on in Monty Python’s Holy Grail. You’ve seen it, I imagine.

But English was saved, as a language, when Chaucer decided to write his “Canterbury Tales” in English. His patrons were Norman nobility, and there was a current of thought at the time which said that nothing poetic could come from this servant language. But the Canterbury Tales were written entirely in English, and this bold statement on the part of Chaucer encouraged many others to attempt the same. Shakespeare would never have written the way he did if not for Chaucer.

Of course, after Shakespeare all kinds of things happened. He was part of the renaissance, then the Age of Reason (aka the age of revolutions: American, French) happened. Then the Romantic period followed that, reacting to the cold idealization of reason. The Romantic period focused on the beauty of nature, and the transformative power of love and higher emotions. Nature elicited those emotions, so nature (with or without the concept of the Christian God, which had suffered some blows during that “reason” period), nature was raised as a saving mercy. The beauty of nature was a place of refuge and a reminder of the beauty of life, a sort of reassurance that good things endure. Thoreau, who wrote Walden, was on the tail end of the American Romantic period.

But then the INDUSTRIAL AGE began. English and American capitalists started raping and pillaging NATURE for fun and profit. Actually, all kinds of capitalists were doing it, not just the English-speaking ones.

Also, around this time, Darwin and other naturalists starting coming up with plausible theories that did away with the need for a benevolent deity. “Survival of the Fittest” was a philosophy that knocked the stuffing out of the idea of nature as a beautiful restorative refuge. Nature wanted to kill you, so that it could eat you. And if you couldn’t thrive, it was probably just as well that you died. One less weak genetic contributor.

How horrifying! You can imagine the slow, sick realization of all these things. The Victorian English ended up focusing primarily on appearances. Keeping a stiff upper lip, doing your duty for your country, and not upsetting society. America also had strong middle-class bourgeois tendencies. Certainly, we were happy to keep any new immigrant class “in their proper place”, often using the new Darwinistic philosophies to justify the mistreatment of other nationalities and the prejudicial racist treatment of African-Americans. “Nature” had made things hard, and the dominant culture took their dominant status as their natural (god-given?) right.

It was the “enlightened” and “modern” way of thinking. Do your duty, do the right thing for no other reason that that it was right. Until World War one happened. Then the “right thing” led to all kinds of wrong things. Thousands and thousands of good people, young upstanding soldiers died fighting for the meaningless cause of a few miles, a few feet of dirt.

The soldiers got really close to nature then. Sitting for months in their foxholes, seeing nothing but dirt, mud, excrement and the bodies of their mates decomposing nearby.

When it was all over, not much had changed but their attitudes. The “modern” way of thinking now meant utter disillusionment. It is no accident that the era was called “The Depression.” God was irrelevant, nature meaningless, and hope was scarce.

It was during this period of time that J.R.R. Tolkein conceived the story of Middle Earth.
You thought I was never gonna take it back around, didn’t you?

Now, most of what _I_ know about concerns the cultures that speak English–America and England. To have the full picture, I will eventually have to learn more about Germany. Because the Germans were REALLY the ones who pursued heroic legends and folks tales. They started it much sooner than the English did. Remember the Brother’s Grimm fairy tales? Now that people have started to study fairy tales more extensively, we have found that they are STUNNINGLY similar across cultures. I think I read that almost every culture has a Cinderella story, which is my personal favorite.

But the German stories were very close to English stories. We actually are a Germanic people, sharing a culture with the folks over there in what’s now called Germany. Wagner also took a well-known Norse legend and made it into his Ring Cycle.

Did I say “ring”? Why, yes I did! It’s the same ring from essentially the same story that Tolkien was ripping off of.

But let me focus on Tolkien again. He was a Medieval scholar at Oxford, and he was probably one of the weirdest guys there. He hung out with C.S. Lewis, of Narnia fame, while he was there. I”ve been to the pub in Oxford where they all hung out. They would have a pint and read their writing to each other. Tolkien was obsessed with the Medieval legends; he has also published a version of Sir Gawain and the Green Knight, translated for the Middle English. He knew all the stories live he was living in them.

I think he tried to live in them. I have read that he wrote the Lord of The Rings series in a made-up language (elfin, maybe?) and then TRANSLATED it into modern English.

COOkOO!

But it is my opinion that he was trying to escape into another world. This one wasn’t offering much, and he wanted to retreat into a place where heroism and courage and honor still counted.

You notice, I”m sure, that one of the characteristics of a “fantasy novel” is that it takes place before any industrialism. About the most technological they get is a windmill.

And Tolkien was the one in the English language that created the foundation of a complicated fantasy world.His universe is extremely fleshed out. He is as obsessed as you want to be. And many of his fans today are quite obsessed.

But see, he wrote these books in a particular place in time.They were moderately popular in his time, because people felt an affinity for the world that he had created. The novels are complicated. They begin in the middle, the way life does. The characters do something that will have an effect beyond the scope of the novel. They have done something lasting and meaningful. Their heroism is not wasted or twisted into evil ends, as was the heroism of the WWI soldiers.

Basically, Tolkien was calling on the power of myth, the myths that had evolved and been honed through generations of wise and intuitive storytellers. He knew the myths of his culture forward and back; and he dramatized them anew for modern sensibilities.

Society was sick and needed to hear a story. The story they needed was essentially the one we needed all along. Moses, Homer, and wise clan leaders told the stories. Tolkien put it in the language modern readers could understand, with the structure we were used to now. We didn’t use poetic chants…We use dialogue and description.

We don’t use campfires so much. We use ink and paper.

As I said, the Lord of the Ring was moderately popular when Tolkien first published it. But it wasn’t until the hippies rediscovered it that it went platinum, so to speak.

The hippies were sick of the old ways, and they BELIEVED in a new order. Frodo’s heroism was possible for them, they knew it! Hope was everywhere, and so were the Hobbit books.

This is also when the fantasy book market opened up.

NOW, with all that intro
(I am nothing if not thorough)
I would like to propose some of the original myth stories to be read by a fan of fantasy.

TRY
Beowulf
Sigurd the Dragon Slayer
Tales of King Arthur
All fairy tales
the Grimm fairy tales
fairy tales of any culture, particularly of the culture you are from
(if you are an American mutt like me, go for ALL the cultures that are in your mix)
The Iliad & The Odyssey
Gilgamesh
the Aenid (although, that’s an artificial myth, just like Tolkien’s)
Greek Drama (yeah, like Oedipus Rex)

All these are a little difficult to engage, because they are not told in the way we are used to. We are accustomed to being entertained in certain set ways, for plots to move in certain patterns. These stories pre-date those templates.

But they are worth the trouble of reading. You will find that they stay on your mind in ways you didn’t expect. And they don’t go away. The images stay, working as metaphors that give you handles on life’s confusing moments.

That’s what they are supposed to do.

And for learning more about myths, as a topic, I cannot more highly recommend Joseph Campbell.

the myth and science of santa

My friend Tantek had some stuff to say about Mythology and Science.

The story of the Priest scientifically explaining that Santa could not possibly deliver all the toys in one evening is pretty ironic. Imagine! I’m sure the priest wanted to scientifically disprove Santa’s existence in order to move the emphasis back to the TRUE reason for Christmas, which is the arrival of the omnipotent GOD in the form of a human baby concieved by a woman who had never engaged in sex.

Scientifically, it is impossible for Santa to exist!
Science is a wonderful thing. I love Science, and I know people who love it even more. It is SO NICE to have proof, and be absolutely sure. If you are wondering about something, just throw some science at it, and out pops the answer.

Well…sometimes. When you are wondering what temperature water boils at, science is your tool. When you are trying to figure out how many CD’s you can fit in the bookshelves you just inherited from your grandma, get out a measuring tape and a little science in the form of math, you have it.

But when you want to know how the world came into existence, science can’t give you an absolute answer.

In order to use science, you have to be able to repeat the experiment. And we have not been able to create another world like the one we are in now.

Yet, here we are. The question remains. At that point, we have to lay down the tool of science and take up another: mythology.

Myths are humanity’s way to address those portions of our experience that lay mostly beyond our reach.
Because there are so many things that we encounter in life, which we know intuitively to be much larger than the fragment we have experienced. We know that we are only encountering a small percent of what the whole entails.

Such as…
Love. We have all encountered some of it, but we know that there is so much more to this experience of love that we cannot have in our lifetime.

or Courage

and especially Truth

These are things we know, but have difficulty grasping and expressing.

And if we cannot even express the problem, the facts of the matter, how on earth are we going to find a way to design and implement a repeatable experiment?
Science cannot exist in this realm.

Not as we now understand scientific method.

But we have found other ways of giving shape to the unknown. We tell stories.
Important stories. Stories that are so important, we can’t even say or fully know their importance even as we impart them.

Mythology gives structure and shape to higher things. It is invaluable. It gives us hope and courage to look for answers to any question we can concieve.

And if we did not have the courage to feed our curiousity, science would not have been developed.

It is a worthy thing to attempt large questions. It is wise to use the best tool. But it looks foolish to try to force the inappropriate tool when the correct tool lies within reach.

Science and Myth are not inherently in conflict. You just have to use them wisely.

fools of gotham

Some friends and I were wondering the other day, “How did New York City get to be called Gotham?”

We were in San Francisco, looking at some statues scattered all around. It reminded us of the Batman movies, where the city was filled with spooky gothic architecture and art.
“This looks like Gotham City,” someone said.
“Yeah, but we’re in San Francisco. Gotham is supposed to be New York.”
“I wonder why they call it Gotham?”

That was the extent of it. But today I ran across something on a website www.writingclasses.com.

For you people like me who wonder about things, here’s their story:

The Wise Men of Gotham [were], in English legend, wise fools, villagers of Gotham, Nottinghamshire, Eng. The story is that, threatened by a visit from King John (reigned 1199-1216), they decided to feign stupidity and avoid the expense entailed by the residence of the court. Royal messengers found them engaged in ridiculous tasks, such as trying to drown an eel and joining hands around a thorn bush to shut in a cuckoo. Hence, the king determined to stay elsewhere. The “foles of Gotham” are mentioned in the 15th-century Wakefield plays. Merrie Tales of the Mad-Men of Gottam, a collection of their jests, was published in the 16th century.
© Copyright 1994-1999 Encyclopædia Britannica

How Gotham Came to Be a Reference to New York City
Washington Irving applied the name to New York in an issue of a humorous magazine named Salmagundi. The name, by Washington Irving’s time, had long been associated with stupidity, even though the original story was actually about a kind of twisted cleverness. Washington Irving thought this just the name to give to a city which he believed was inhabited by fools.
© Copyright 1996-2000 Michael B. Quinn from World Wide Words

Park Your Car in Harvard Yard

Park Your Car in Harvard Yard by Israel Horovitz, produced by LA theater works

This was labelled as a COMEDY, which is completely incorrect. According to classical definitions, comedy ends in a marriage. Tragedy ends in death. Well, this ended in death.

You make the call.

Perhaps we’ve progressed beyond classical definitions, and find death the funniest thing we’ve ever heard?

Probably not. But there were a few funny moments in this play. Mostly not, though.

It’s set in Massachusetts, a place that makes me think of my friend Christy. She lived there for a year. That’s the east coast, the OLD part of America. They have a sense of the social class that we don’t have as well defined here.

Imagine! Your family being in one area for generations, and all of them doing the same sort of work. Dock work, maybe. Or some kind of unskilled manual labor. Having the same few miles that you know. And not knowing at all how to get past them.

I don’t respect those sorts of boundaries, I consider them a dare most of the time. As in, “I can’t? Who says I can’t? I’ll show you!”

Anyway, the high school teacher that everyone was afraid of, for years and years, is finally on his deathbed. He needs someone to help him. And this woman comes to be his housekeeper until he dies.

She is his former student, only she doesn’t tell him that right away. Some part of her hopes he will remember, but knows bitterly that he will not.

They have more things binding them together, being in the same place for so long, than you would expect.

He is full of rage and regret at how his life turned out.
She is too. And she actually blames him for a lot of it. Her ticket out was education, but he flunked her and slammed that door.

I’m mad at him too, for her. He should have been a better teacher, and tried to help them learn. He should not have held the bar so high and mocked his students when they could not pass it.

I think he was trying to illustrate dramatically how SUPERIOR he was to them.

But she should have kicked harder against her lot, if she really didn’t like it.

At the end, though, they were both in the same neighborhood, they both endured the same cold winters.

How different are we, really?
These two were quite similar.

He was trying to die, which is a difficult thing. She was trying to live, which can be much harder at some times than at others.

STRANGER IN MY OLD CITY

Here I am, in a beautiful hotel in my former neighborhood. It was so strange, to leave from an airport that I have never seen before and arrive in an airport that is so incredibly familiar.

Taking trips, plane trips, were so out of the question when I was small. I had been on a plane once, when I was five. But the rest of the time, planes were as far away as the moon. No money, no open door, no flight path.

So, when I got older, flights were very possible. I am nervous in airports, but I LOVE to fly.

And I was excited to leave from Burbank, to find out what this new airport was. It is kind of disappointing. San Francisco airport, the one that I know, that I have memories and stories in, is much nicer.

And here I am, in the shadow of the Transamerica pyramid, in this beautiful, amazing, creative, energetic, sexy city that I love so much.

It’s not MY city anymore. I’ve never lived here. But I lived for seven years in the San Francisco Bay Area…The Bay Area…That means that San Francisco is mine.

Well, the first few years were full of unhappy memories. But the last few years were the best in my life.

It is hard to think that I am not part of here anymore. Here is very much a part of me.

I live in Los Angeles now. And I really do live in Los Angeles…I live and work right in the middle of the city of Los Angeles. I am part of the city.

But this city is not really part of me. I don’t have so many stories here. I am still trying to grok this huge sprawling city. I am bewildered and intimidated by the highways and the styles. I am trying to understand what I should be afraid of; who I should be afraid of.

Everyone says there are things to be afraid of here. “Haven’t you HEARD of Compton? Don’t you know about Watts? And East L.A.?”

I think it’s sad that I have to learn to fear like that. But I do know that I, one person, cannot change decades of segregation by ignoring it. I have to be smart.

It takes a while to get used to a new place. I’ve moved enough to remember that. I have more experience, and I know that.

LA seems like it has a lot to offer. I have more to offer too.

I’m glad to be out of the bay area. There were too many bruises on the map, even though I had shining moments and places.

I’m happy to be in a place that I can make my own, now that I have more of my own to make with. It just feels empty until then.

I guess I’ve moved from a place I’ve grown out of into a place I haven’t grown into yet.

REFLECTIONS OF MYSELF

Looking for something else, I stumbled upon a notebook musing from a few years ago:

I like best to see my face reflected in a window at night. The outline is clear, but the details are less distinct. It’s such an accomplished [self-contained] pleasure, admiring my own reflection.

I once asked a man, at the beginning of a new romance, when we were first shyly revealing the traits we found marvelous and fascinating in each other, “Don’t you think I see you differently than you see yourself?”

He considered and replied, “It’s only natural. I know myself better than you do.”

It was so easy for me to admire and cherish him. But he to himself and me to myself–it’s not as easy. We know the blemishes.

When I look into a mirror–a clear flat, distinct and well-lit reflection–my eyes seek our all the imperfections. I put my face right close and examine all the planes and crevices. I wonder what I’m looking for? Don’t I know my face already? I don’t linger over the good features, but I move straight to mottles in my skin, or to my crooked teeth. Are my eyebrows incorrect? And which standard should I choose?

I want to believe I am beautiful. I want it so very badly. Because if I am beautiful, I will be loved. And if I am loved, then I will live in the sunshine and nothing can be wrong.

I don’t undersatnd this trap, a slippery slop to never-fulfillment. What if I am loved, but am not beautiful? What if it rains on me and the ones who love me? It must be a flaw in me. When hard times come, it must be because I am not loved enough. But who could love me enough? I am not beautiful enough for that kind of love.

When I see myself in the night-window reflection, I am less distinct. I don’t have to see the confusing minutia of my appearance. I can be pleased with the outline. I can love myself, forgive the imperfections. I can have what I so crave and not be indebted to someone else.

VOLSUNGA SAGA 6

Sigurd Part VI

At last, Sinfjotli was considered old enough by Sigmund to enact revenge upon Seggeir for Volsung’s death. Sigmund and Sinfjotli had been creating havoc in King Seggeir’s kingdom long enough; they wished to strike at the heart of their enemy.

Signy brought them into the palace, to begin their attack on her husband. But as they were waiting, one of Signy’s two young children ran into the room where they were hiding. He was chasing a toy, and he saw the two fierce men. He ran back to Seggeir’s chamber and told his father what he had seen.

Seggeir understood the significance of what the child said and prepared himself for attack. Signy discovered what had happened, and dragged her children to her brother and son: “These children have betrayed you,” she told Sigmund. “I suggest you kill them.”

Really, since he had killed the first two boys, it’s not so surprising that she would say this. I mean, it follows what happened before.

But maybe Sigmund was feeling guilty, or who knows what. He said, “I am loth to kill children of yours, even if they have betrayed me.” And he stood there.

Young Sinfjotli didn’t have this constraint of feeling. He killed his siblings right then and there.

The next thing you know, Seggeir has launched his attack. Sigmund and Sinfjotli have arrived at their hour of revenge, and they fought harder and stronger than ever before. But they could not prevail against Seggeir’s numbers, and he tied them up and threw them in jail.

While they sat there all day and night, Seggeir devised a special way for them to die. He built a traditional cairn, or burial mound. As a special torture, he put a huge stone slab through the center of the mound. He put the men into the burial mound, one on each side of the stone. He intended this to bury them alive, together but unable to help one another.

However, right before the mound was sealed, Signy managed to throw an armload of straw into the opening. But Seggeir sealed it up tightly, pleased to have devised this painful and humiliating death for his long enemies.

Sinfjotli looked through the straw. He said to Sigmund, “It looks like we won’t have to worry about food for a while, because my mother has thrown in some ham with the straw.”

But then he felt it; the hilt of Sigmund’s sword! He couldn’t see because of how dark it was, but this sword was unmistakable.

Sinfjotli plunged the sword into the slab of rock dividing the mound. Sigmund grasped the other end and they sawed their way through the slab. As soon as the slab was spilt, they worked together to hack and saw their way out of the burial mound.

They were free.

It was nighttime, and they made their way back to the hall to find Seggeir. Everyone was asleep, so they gathered fuel and firewood. They intended to set the great hall on fire and burn the king and all his men with it.

When they felt the heat and the smoke, the men in the hall woke up. The king demanded to know who had set the fire.

Sigmund rose up to accuse him. “Here I am, Sigmund, and my sister’s son, Sinfjotli. Now you know that all the Volsungs are not dead, and we remember that you are the one who killed our father.”

Signy came out to stand with her family against Seggeir:” Now you know that I have not forgotten who plotted to kill my father. I had our two youngest sons killed because they were not eager enough to avenge Volsung. Here is Sinfjotli, my child and Sigmund’s. He was conceived while I was disguised as a sorceress. His blood comes from a daughter and a son of Volsung, and he was always eager to kill you for your betrayal of my father.”

Sigmund put out his hand to lead his sister out of the burning hall, but she stopped him.

“I have worked for nothing but revenge. I have had my children killed for it, and devoted my whole life to it. I was unwilling to marry Seggeir, but now I will willingly die with him. It is all I am fit for.”

And she walked back into the fire, saying farewell to Sigmund and Sinfjotli. She died with everyone in the hall.

SENSE OF THE CENTURIES

I’m sure Sigurd would approve of the weekend I just had. Not a lot of killing, but excellent feasting and fellowship.

I’ve been TOO bogged down, and I have thoroughly missed hanging out with friends old and new. This Thanksgiving was a friend thanksgiving rather than a family one. It was very very nice.

Since I also did a lot of christmas shopping this weekend, I was feeling far more benevolent than usual. Well, according to lots of experts, a lot of us were feeling the Christmas spirit.Sales are supposed to be way up this weekend. I am looking forward to the pleasure in my friend’s and family’s eyes when they open the presents I get them.

I am a very social animal. Being around good friends revitalizes me. I now feel all recharged and ready to tackle new things. This, In reference to my blog, has caused me to look again at all the books I am in the MIDDLE of reading.

I’m still in the middle of
The Proud Tower, by Barbara Tuchman.
MiddleMarch by George Elliot
The Prophet by Khalil Gibran
The Battle for God by Karen Armstrong
The Pleasure of Finding Things Out by Richard Feynman
The Prince by Machiavelli

Hmm…There’s more, but I’m not at home and I don’t remember what they are.

I just finished reading, but have not yet reviewed:
The Corrections by Jonathan Franzen
Catch 22 by Joseph Heller
The Voyages of Dr. Dolittle by Hugh Lofting

All of these I think are very worthy of being reviewed, but they are meatier than I have time to just dash off..Interestingly, Dr. Dolittle is the trickiest.

But what I am really excited about is this poster they are selling at the library…It is a poster/timeline/graph of all the major musical composers since the 1400s. It gives their names and their major works and places them in proximity with other contemporary composers.

This is tremendous! I mean, It’s not like this information didn’t exist before. But sometimes, the way information is presented can make all the difference.

I believe that music can convey the sense of an idea or an emotion in ways that other mediums cannot. I may say to you, “the 1600s in Europe was a time of humanistic exploration, with intense interest in rational exploration and characterized by a sense of self-confidence.”

That’s very dry.

But if I hear the music from that period, and put it into the context of what I know of the history and literature and art and architecture of the period, music can add a depth and fullness and richness to my partly formulated understanding. I am looking for that click, that “Oh!” moment, the moment when the discrete facts coalesce into a fluid understanding.

I would like to have a sense of the progression of the last 6 centuries. It takes much less time to listen to music than it does to read large tomes.