January 31, 2004

love talk

Chris came by to see me yesterday. I was having a rough day, and he was worried about me.

It wasn’t particularly difficult, I had just lost my sense of humor. You HAVE to have a sense of humor over here, or you grind out.

So, he helped me feel better, just by being there. As I was getting sleepy, we had this conversation:

“I have to be up very early in the morning. Tell me something.”

“What do you want me to tell you?”

“Sleepy things. Tell me a story.”

“I don’t know any stories.”

“Well, tell me what happened in the world today.”

“Let’s see….Do you know about Skull and Bones?”

“…other than their literal meaning, I couldn’t tell you. What are Skull and Bones?”

“I was listening to the radio today, and this talk show guy was talking about Skull and Bones. They are a secret society at Yale; this guy claimed they controlled everything.”

“Oh yeah…I remember hearing about them. They control everything?”

“That’s what this guy said…”

“If they control everything, I want to talk with them. There are a few things that need some improvement. How do we get a hold of these people?”

“This guy was claiming that they orchestrated the Kennedy assasination, and the Mars landing.”

“We need to find these guys and put them to better use. If there is somebody controlling everything, I say good. Too many things are out of control.”

Pause

“Chris..You’re going to become that guy, aren’t you?”

“what guy?”

“That guy who works from his home and listens to talk radio all day and turns weird.”

“I do NOT listen to talk radio all day! I only listen to it in my car.”

“WHATever. Next thing you know, you’ll be staying up late listening to that one talk guy.”

“Oh…Yeah…that guy…But he’s not on anymore. You mean Art Bell. They have another guy doing his show now. He only comes on for special occasions.”

“See? This is what I’m talking about. You already know all this stuff. You are gonna be that weird extremist right-wing guy.”

“I am not. What about you? you listen to NPR all day. Are you gonna be a left-wing extremist?”

“NPR is not extremist anything. They are all about the money. Do you know they play different songs depending on how the market is doing?”

“They do?”

“Yeah. If the market is up they play, ‘da da dedada’.”

“‘We’re in the money’…”

“Yeah. I don’t remember what song they play if it’s down. I don’t pay attention to stocks.”

“Yes, you put your money into your condo.”

“Right. But that just shows how NPR is all about the money. Whenever they do bring up some social cause, it’s so far away you could never do anything about it, so you don’t have to be distracted from worrying about your stocks.”

“Well…What’s the left-wing equivalent of the talk shows?”

“Pacifica radio. They are the ones who incite the peace marchers.”

“oh yeah. They’re weird.”

“I don’t listen to them very often.”

December 27, 2003

Reaching Out

Those of you, and I am so grateful for you, who read my blog on a regular basis would be aware that I haven’t written very regularly this month.

Perhaps I have been extraordinarily busy with work.

But also, at the beginning of the month, I had my piano tuned. It’s needed it for some time. I just hadn’t gotten around to it. I was feeling a vague sense of guilt that I never play it, and then I realized that I didn’t like the way it sounded, all out of tune. So, I had it tuned.

I’ve been playing it madly ever since. I pass it, on the way to get something from the kitchen, and I can’t resist playing some tricky part of a song, some trilly part that’s hard to get right.

And I’m learning to play new songs. I was getting tired of all the old ones I knew. I have been trying to learn some old irish ballads, and some old jazz songs.

Ballads are so pretty; they tear my heart out. I will often cry as I play and sing them.

But jazz is another animal entirely. They seem so simple when you hear them, and somehow, they slip away. You try to sing them, and then find you can’t remember the words. What was that again? It just slips out of your mind.

It was surprising to me to realize that most of them were just two or three very simple verses. Why is that so hard to remember?

So when I sit down to play these simple songs, I also find they are not so simple to play. I learned to play piano by teaching myself. I learned to play melodies on my own, and then I pestered other people and read things until I got an understanding of how music works. For any song, there is a structure, a musical structure. It’s like a grid that you can place down over any song, and know how you can place the parts of the song in relation to itself and in relation to music as a concept.

Jazz does not fit the grid very well.

If you read about jazz, read what they said about it at the time, the people were freaking out at how innovative and weird and NEW it was. “Jungle music” they called it, among other things. Some people couldn’t get enough of it.

Since I’ve been so fascinated with my newly tuned piano, music has been on my mind, I found my harmonica, and I was trying to play some of the same songs on it as I was walking to the bus stop.

“Danny Boy” worked pretty well, but “Pennies from Heaven” was hopeless. I realized that the harmonica does not have all the notes that a piano has. There simply was nowhere to go, nowhere to reach for the notes I needed.

And it clicked with me. That is why Jazz was so exciting to these people when it was new. They had their minds in the grid. And when the jazz musicians reached out for a note that wasn’t in the grid, it was practicially like reaching into a fourth dimension. It was blowing their minds!

I am thinking of the novel by Sinclair Lewis, Flatland. New things are so hard for us to come to terms with.

So why does the piano keep me from writing? I don’t know. My mother raised me on theories of right-brain and left-brain functions. I will say that when I play the piano, my mind does not think in words very well. I don’t know why, but even the words in songs do not interrupt the flow of concentration created by my hands on the keys of the black and whites.

I am disappointed, because I do not play as well as I used to.

But even when I was as I used to be, I was not as good as I wanted to be. I feel a push to do more than I can, more than I even know how to do.

I am not writing as well as I wish, or as much as I wish. And I am not playing as well as I want.

I have been feeling a hunger for a sewing machine, lately. I want to make something, create something that has not been done before.

I haunt the craft shop, and I tell myself, “you can’t find the time to write, you can’t find the time to practice your piano enough, how are you going to have time to sew?”

But I can’t leave.

I feel the urge to reach out in a direction that has not been traveled before, or even discovered. And I fight myself all the time about it. I don’t know the way to start, or to find what I am looking for. What use would it be if I did? What would it matter? Who would care? How could I possibly succeed? What would good would it do if I even did?

But still I am haunting the craft stores, feeling the materials, and fantasizing about vagues shapes and colors and textures.